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writer of strange fiction
researcher of the speculative and the sublime
Shreya Ila Anasuya
ABOUT
I am a writer and researcher from India. I am currently based in the United Kingdom, and I write fiction across genres, including and especially historical and speculative fiction.
My work explores – among other things – history, performance, the supernatural, gender, the body, grief, liminal spaces, cultural memory, music and the senses.
I am also a researcher who writes non-fiction, and currently a PhD candidate at King's College London, where I look at the intersection between performance, gender and storytelling in early 20th century South Asia. I am especially interested in gendered performance histories, ephemera, and what (as well as who) is considered worth archiving.
In the past I've worked as an editor, journalist, and communications specialist for arts and culture organisations and charities.
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Living with endometriosis and complex PTSD have both shaped and affected my work and person.​
The Poison Palace
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​​​Eka is no one.
Taken from her mother and village, she is brought to Pataliputra,
in the heart of the Magadh Empire, and adopted by the city’s foremost courtesan.
She becomes someone again – a cherished daughter, and a performer in training,
singing the wondrous music that is her inheritance.
But that is not all Eka will be. Fate puts her on the path of the vishkanya, or poison girl.
Eka and her friend Ira are initiated into the secret cult of a snake goddess,
fed a diet of poison, and trained in its deadly arts – all in service of their king.
When Alexander the Great sweeps inexorably towards their lands, the friends are sent to his camp.
Caught between her sense of duty to Magadh and her love for Ira, and transformed by what she witnesses,
Eka must reach for the power within her that will change a world…
Written in sensual, mythic prose,
The Poison Palace blends historical and speculative fiction to
retell the story of Alexander’s invasion of the Indian sub-continent as it has never been told before.
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Sphere (Hachette UK), Dutton (PRH USA), HarperCollins (India) / January 2027
US cover art: Nabi Haider Ali; UK/India cover art: Micaela Alcaino
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‘An exquisite and beguiling debut, re-centering the lives of women and girls in the wake of Alexander the Great's devastating invasions of ancient India. This is a novel steeped in history and mythology, haunting yet sensual, written in prose to luxuriate in.
An unforgettable retelling.’
Victoria MacKenzie
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‘An intimate epic – two women journey from the margins of history to stand against the greatest of conquerors. A story of power, love, survival and resistance, meticulously researched, lyrically written and structurally ambitious. A stunning debut.’​
​Samit Basu
'A gorgeous, sensual, completely captivating novel that immerses the reader in an ancient world and history, at once recognizable and utterly remote from our own.
A stunning, fantastical debut from a superb writer — I couldn’t put it down.'
Elizabeth Hand
'Anasuya’s The Poison Palace is as intricate as a tapestry—grand in its scope,
with captivatingly rich details and prose. An epic debut, intimately told.'
Chelsea Abdullah
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'Shreya Ila Anasuya's The Poison Palace unfolds the era of Alexander the Great's conquering rampage across Eurasia with a graceful, fiery verisimilitude both intimate and mythic, starting from the Indian subcontinent and stretching all the way to ancient Babylon – it resounds in time, and sings to the present with a singular voice. Don't miss it.'​
​Indra Das
'A captivating tale that will sweep you into a world where
myth and ancient history entwine like serpents.
Ambitious, powerful and dreamy—The Poison Palace will leave you breathless.'
Shubnum Khan
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'Such an unusual, intelligent and lucidly written book, which opens up
an old story with the most surprising glints and insights.'
Ruth Padel
'A dazzling debut...Shreya Ila Anasuya has entwined fantasy with myth and history to give us
a novel as rare as the fabled snake-jewel.
It will doubtless snag readers in both East and West.'​
Annie Zaidi
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‘Shreya Ila Anasuya’s The Poison Palace may sport the garb of a masterful historical novel. Underneath lies the bone structure of a slow-burn thriller with the musculature of a travelogue. Its eloquent heart, though, beats an inventory. Of wounds, of loss, but also acts of quiet solidarity, of reclaimed selfhood, whose echoes will outlast monarchs and their monuments. And of the many shades of belonging, of yearning which it celebrates.' ​
Karthika Nair
‘The Poison Palace is Anasuya's debut novel, we are told, but her voice is alluring, her storytelling assured, and the scope of her narrative ambitious. And underneath it all is a thoughtful, playful and empathetic resurrection of the being and identity of a woman banished to the margins. One not to be missed.’ ​
Jayasree Kalathil

Image credit: Matt P
Media Kit
Long bio:
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Shreya Ila Anasuya is an Indian writer of fiction. She has a BA in English Literature from Jadavpur University in Kolkata and an MA in Anthropology from SOAS, University of London. She is currently a PhD candidate at King’s College London, supported by the London Arts and Humanities Partnership.
Her body of work examines South Asian history, literature, gender and sexuality, music, mythology and the supernatural, which she has explored through short fiction, research, editing, journalism, teaching and performance. Her work has been recognised with the Otherwise Fellowship, the Toto Award for Creative Writing, and a Sangam House residency.
The Poison Palace is Shreya's first novel.
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Short bio:
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Shreya Ila Anasuya is an award-winning writer and researcher from Kolkata, India. She is currently a PhD candidate at King’s College London, supported by the London Arts and Humanities Partnership.
Her stories have been published in Strange Horizons and the Magazine of Fantasy & Science Fiction, as well as anthologies by HarperCollins US, FC2/The University of Alabama Press, the Aleph Book Co, Hachette India, and more.
Her first novel, The Poison Palace, is forthcoming from Sphere UK, Dutton US, and HarperCollins India in 2027.
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Grants, Awards, Fellowships, Residencies
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2026
The Milford Writer's Workshop
Bursary for Writers of Colour (UK)
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2025
PhD placement with Historic Royal Palaces
for curatorial and reseach work on a major exhibition on Sophia Duleep Singh (UK)
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2024
The Society of Authors/Authors' Foundation Grant for Work in Progress (UK)
2023
BFE Fieldwork Grant Award (UK)
The Gerry Farrell Travelling Scholarship by SEMPRE (UK)​
2022
The British Science Fiction Association Awards (Longlist) (UK)​
2021
The London Arts and Humanities Partnership Studentship (UK)​
2020
The Otherwise Fellowship (formerly the Tiptree Fellowship) (USA)
The Sangam House Residency (India)
2019
The Toto Award for Creative Writing in English (India)
2018
The Toto Award for Creative Writing in English (Shortlist) (India)
The South Asia Laadli/UNFPA Award for Skin Stories (India)
The Social Media for Empowerment Award for Skin Stories (India)​
2017
The UNFPA-Population First Laadli Fellowship for Journalism (India)
The UNFPA-Population First Laadli Media Award (Three-time winner, since 2015) ​
2011
The Felix Scholarship (India/UK)
The Charles Wallace India Trust Scholarship for Creative Writing (India/UK)​
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Selected Events and Teaching
2026
Fantasy's Present Pasts, University of Glasgow conference paper on The Poison Palace (UK)
British Fantasy Society panel with Eleanor Pender, Wole Talabi, Philip A Suggars (UK)
BA/MA seminars for Topics in Music of the 20th-21st Centuries, King's College London (UK)​
A conversation with Rebecca Beattie about a cultural history of planetary powers in South Asia for Treadwell's Books (UK)​​
2025
Talk about Saleem Kidwai and Begum Akhtar for the Mahindra Sanatkada Festival and Studio Bari Kolkata (India)​
Guest Lecture for BA Languages and Cultures module The Art of Storytelling, SOAS University of London (UK)​
2024
Guest Lecture for MA Politics of Culture in Contemporary South Asia, SOAS University of London (UK)
​BA Arts and Sciences GTA seminars, University College London (UK)
​2023
Edinburgh International Book Festival, panel on Magic Has No Borders (UK)
Association of Writers & Writing Programs, panel titled ‘Speculating Us from Where We Stand: Writing Culture into Prose and Poetry’ on Infinite Constellations (USA/Online) ​
2022
Royal Central School of Speech and Drama, conference ‘Pushing Culture into Politics’, paper on research informing practice in creative writing (UK)
LAHP Practice-Based Research Network, reading from fiction and reflection on the intersection of creative writing and historiography (UK)
Ananke Women in Literature Festival panel on speculative fiction and South Asia (Online/Dubai/UK)
2020
HasGeek, panel on speculative fiction and women writers (India)
2019
Bangalore International Centre, panel on reading and writing speculative fiction in India (India)
​Indian Institute of Human Settlements, panel on writing speculative fiction (India)
​SNDT Women’s University, panel on digital writing, editing and publishing, and human rights (India) ​
CONTACT
I'm represented by Laura Williams at
Greene & Heaton.
I'm currently open to fiction and non-fiction commissions, guest editing, teaching and speaking opportunities.
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